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Dancing Girl with Dhol 2

Unpolished statues

Odisha’s black stone statues have a history rooted in temple architecture and religious practices, flourishing during the Eastern Ganga dynasty (11th–15th century CE). Sculptors used locally available black chlorite or granite stones to carve lifelike depictions of deities, mythological scenes, and intricate patterns. These statues were integral to temple rituals and were often placed in sanctums as divine representations.

Regions like Khiching, Konark, and Puri are renowned for this craft. The statues reflect Odisha’s rich spiritual and artistic heritage, often featuring elements from local flora and fauna. Beyond religious significance, these sculptures are admired for their aesthetic value, making them sought-after items for collectors and spiritual seekers worldwide. Despite modern challenges, black stone sculptors continue to uphold this ancient tradition, balancing artistic excellence with cultural preservation.

Unpolished statues

Odisha’s black stone statues have a history rooted in temple architecture and religious practices, flourishing during the Eastern Ganga dynasty (11th–15th century CE). Sculptors used locally available black chlorite or granite stones to carve lifelike depictions of deities, mythological scenes, and intricate patterns. These statues were integral to temple rituals and were often placed in sanctums as divine representations.

Regions like Khiching, Konark, and Puri are renowned for this craft. The statues reflect Odisha’s rich spiritual and artistic heritage, often featuring elements from local flora and fauna. Beyond religious significance, these sculptures are admired for their aesthetic value, making them sought-after items for collectors and spiritual seekers worldwide. Despite modern challenges, black stone sculptors continue to uphold this ancient tradition, balancing artistic excellence with cultural preservation.

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